Friday, March 24, 2017
Second Coming of Heavy Chapter Five Lands This Saturday, and Mothership, Freedom Hawk, and Gozu Back in Stock!!!
It's here! The next edition of The Second Coming of Heavy: Chapter Five - featuring Ripple favorites Desert Suns and Chiefs. All brand new, never before released songs that rip with stoner/desert power. Will be available in all the versions you've come to know and love, The Tricolor swirled with white splatter Resurrection Edition, The individually numbered oxblood in clear color in color with black splatter Risen OBI, and the milky clear/oxblood splattered Ascension Edition. Only 100 pressed of each edition with no repress. Jump onboard the series that many are calling the best "Split series in the heavy underground." On sale Saturday 25th, 7 am PST. www.ripple-music.com
Mothership "High Strangeness" released last week and has catapulted the band to the upper echelons of the heavy underground. The limited editions of the LP sold out in under 24 hours, but fret not! We always keep some in reserve for lost/damage replacement and we'll be releasing these, reserve 7" Crown of Lies, and test pressings in just one week. So stay tuned. Meanwhile, black vinyl and CD are available right now in the shop.
Back in stock!! We sold out of all limited color, test pressings and black vinyl (even sold out of CD's!) in less than a month, so here's great news. The debut album by legendary heavy rockers, Freedom Hawk is back in stock. Sunlight finds the band making their debut Ripple release and brims with the killer riffage that Freedom Hawk are world-known for. In the shop now in LP and CD. www.ripple-music.com
Another one that sold out quickly, and again we're thrilled to let you know that this baby is back in stock. "Revival" by Gozu, their Ripple Music debut, broke the band to their biggest audience yet. On most sites end-of-year-best-of lists, nobody does it like Gozu. Intense riffing, killer melodies and those perfect soulful vocals. Back in stock in vinyl and CD. www.ripple-music.com
Thursday, March 23, 2017
Rockers around the world - prepare yourselves for the latest album by Switzerland's legendary hard rock band KROKUS, entitled BIG ROCKS!
Release date: April 7th 2017
On BIG ROCKS, KROKUS pay tribute to their roots by covering classic tracks of The Rolling Stones, Queen, Led Zeppelin, Steppenwolf, The Who, Bob Dylan and many more.
With a total of 12 flawlessly executed cover versions in the typical KROKUS vein plus a newly recorded version of the KROKUS classic "Backseat Rock N' Roll" as well as comments on selected songs by various band members, BIG ROCKS offers everything fans of straight-forward and honest rock music can ask for.
BIG ROCKS is available as CD Jewelcase as well as download and stream (Available now). The album is already available outside North America, but fans within North America will now be able to pick up this piece of hard rock history.
Click here to pre-order the CD at selected stores or purchase a download/streaming copy: http://smarturl.it/KrokusBIGROCKS
A lyric video of the classic track "House Of The Rising Sun" isa available on YouTube and Vevo via the link below.
Let the Krokus Pokus begin!
BIG ROCKS - Tracklist
(originally by Black Sabbath)
2. Tie Your Mother Down
(originally by Queen)
3. My Generation
(originally by The Who)
4. Wild Thing
(originally by The Troggs)
5. The House Of The Rising Sun
(originally by The Animals)
6. Rockin' In The Free World
(originally by Neil Young)
7. Gimme Some Lovin'
(originally by Spencer Davis Group)
8. Whole Lotta Love
(originally by Led Zeppelin)
9. Summertime Blues
(originally by Eddie Cochran)
10. Born To Be Wild
(originally by Steppenwolf)
11. Quinn The Eskimo
(originally by Bob Dylan)
12. Jumpin' Jack Flash
(originally by The Rolling Stones)
13. Backseat Rock N' Roll
(KROKUS original recording)
Marc Storace: Lead Vocals
Chris von Rohr: Bass, Vocals
Fernando von Arb: Guitars,Vocals
Mark Kohler: Guitars
Mandy Meyer: Guitars
Flavio Mezzodi: Drums
Century Media Records Online:
Swedish Hard Rockers HORISONT are thrilled to announce that they will be returning to North America next month as part of their 'About Time' world tour. The upcoming dates come in support of the band's new album, About Time, which was released on February 3rd and features the singles "Electrical" (Music Video), "The Hive" (Album Track) and "About Time" (Music Video). Speaking about their return stateside, the members of Horisont comment,
"Well, well! Look what we have here! We had such a good time on our last U.S. tour, we thought it’s time to go back! So it’s with great pleasure that we can announce our next upcoming North American tour which is scheduled for April and May. We’ll be bringing the awesome blues rockers The Dirty Streets with us throughout the whole tour. More dates will be added shortly so stay tuned! See you soon!"
HORISONT - 'About Time' North American Tour
4/07 CHICAGO, IL @ REGGIE'S
4/10 DENVER, CO @ HI DIVE
4/12 SALT LAKE CITY, UT @ METRO MUSIC HALL
4/13 BOISE, ID @ NEUROLUX
4/14 PORTLAND, OR @ BOSSANOVA BALLROOM
4/15 SEATTLE, WA @ HIGHLINE
4/16 VANCOUVER, BC @ PUB 340
4/18 SAN FRANCISCO, CA @ THEE PARKSIDE
4/20 SAN DIEGO, CA @ BRICK BY BRICK
4/23 SAN ANTONIO, TX @ LIMELIGHT
4/24 AUSTIN, TX @ GRIZZLY HALL
4/25 NEW ORLEANS, LA @ SIBERIA
4/26 SAVANNAH, GA @ THE JINX
4/27 ATLANTA, GA @ THE BASEMENT
4/29 RICHMOND, VA @ STRANGE MATTER*
4/30 PHILADELPHIA, PA @ KUNG FU NECKTIE
5/01 NEW YORK, NY @ WEBSTER HALL
5/02 BOSTON, MA @ ONCE
5/04 TORONTO, ON @ VELVET LOUNGE
5/05 PITTSBURGH, PA @ GOOSKI'S
5/09 CLEVELAND, OH @ THE GROG SHOP
* - w/Mothership
Wednesday, March 22, 2017
This is the second solo album by artist Verena von Horsten from Zurich, Switzerland. It was written, produced and recorded by herself in New York and Zurich. This album is a moving and sentimental tribute to her late brother who committed suicide four years ago. The songs on the album, explore the haunting journey of despair she embarked on as she struggled to understand why her brother felt like the only option he had left was to end his own life, and the way the world treats suicide.
The album has been called "synth-pop," but there is no "pop" here, it's more along the lines of "synth rock" because of the edginess of it and the topic of the album. She has also been compared to Bjork and PJ Harvey, but she isn't like them at all, except that they are all females that sing, instead let's not lump her into a group of singers, let's take her at face value; a singer that has an amazing voice and raw talent that stands out as soon as you start to listen to the album. Song after song is chock full of emotion that grabs your ears as well as your heart knowing the tragic way this album came to be. The songs are catchy, tightly played and infectious, something that can be played over and over again and never get boring. She has a voice that goes from being almost operatic and hitting high notes to sounding melancholy and heart-wrenching, but still beautiful. The over eight minute long "Sakrament der Büffelherde" is an amazing song that has a fantastic beat, astounding vocals and seems so much shorter than is listed. This is a song that will get stuck in my head and be played repeatedly. The production is clear, but keeps the rawness of her emotions in full view, and everything just falls into place.
Tuesday, March 21, 2017
THE OBSESSED Premieres "Punk Crusher" Via Brooklyn Vegan/Invisible Oranges; Record Release Show Announced
[Photo by Susie Costantino]
Maryland doom legends THE OBSESSED today premiere the second single off their impending new Sacred full-length, their first studio offering in over two decades.
April 7th, 2017 will see the worldwide release of Sacred via Relapse Records on CD, LP, deluxe 2xLP, and digital formats. Physical preorders and bundles are available via Relapse.com HERE and digital downloads can be preordered by Bandcamp at THIS LOCATION. The deluxe 2xLP bundle includes an enamel logo pin, signed art print, and two bonus tracks.
With renewed energy and purpose, THE OBSESSED sounds heavier and more relevant than ever before. On Sacred, the band doubles down on enormous, heaving riffs and pummeling low-end across twelve tracks of eternal doom. Rounded out by guitarist/vocalist Scott "Wino" Weinrich's lyrical honesty and iconic throaty vocals, Sacred is an album that further pushes THE OBSESSED into the annals of heavy metal history, well worth the two-plus decade wait. The band will perform once again as a three-piece featuring Wino, Reid Raley, and Brian Costantino.
THE OBSESSED has announced a special Sacred record release show April 8th at Kung Fu Necktie which will include an album listening session and a special Wino acoustic performance. The band will also perform at this year's Berserker Fest IV in Detroit, Michigan the weekend of April 14th-15th. Stay tuned for further tour live announcements in the future.
4/08/2017 King Fu Necktie - Philadelphia, PA [info] * Record Release Show
4/14-15/2017 Berserker Fest IV - Detroit, MI w/ GWAR, Eyehategod, OFF!, Weedeater, Brain Tentacles, more
THE OBSESSED was formed in the late 1970s in Potomac, Maryland by legendary guitarist Scott "Wino" Weinrich (Saint Vitus, Spirit Caravan). The band spawned in the realm of musicians/artists such as Black Sabbath, Frank Zappa, The Dictators, and The Stooges. The earliest lineup consisted of Wino, bassist Mark Laue, guitarist John Reese, and drummer Dave Flood. In 1983, Wino took over vocal duties and the band became a three-piece to record the Sodden Jackal EP.
The band broke up in the late '80s after Wino moved to California to join Saint Vitus. At that time, a German label, Hellhound Records, and the booking agency that had signed Saint Vitus, released The Obsessed, originally recorded in 1985, prompting Wino to reform THE OBSESSED. After multiple lineup changes, the band signed to Columbia Records in 1994 to release their third and final album, The Church Within. Despite highly acclaimed reviews, THE OBSESSED would breakup following the release, seeing Wino forming Spirit Caravan (Then Shine) and other projects.
In September 2011, THE OBSESSED returned to the stage at Roadburn Festival with The Church Within's legendary lineup (featuring Wino, Greg Rogers, and Guy Pinhas). The band played a few more reunion shows over the next couple years at Hellfest Open Air 2012 and Maryland Deathfest XI in May 2013 with bassist Reid Raley.
Wino announced the full-time return of THE OBSESSED in March 2016 and the band's official signing to Relapse Records to record the follow up to The Church Within. The new lineup originally consisted of Spirit Caravan bassist Dave Sherman and Wino's longtime friend and former road crew member. drummer Brian Costantino. On October 31st, 2016, Wino announced the lineup for THE OBSESSED, included bassist Bruce Falkinburg and guitarist Seraphim, making that the first time the band had been a four piece in over thirty-five years. Now in 2017, THE OBSESSED will unleash Sacred, the band's first studio album in over two decades.
"Delicate leads shimmer and spark; ornate guitars unfurl majestically, like a medieval tapestry." - Pitchfork
“…Pallbearer's stepped up its composition game, with dexterous contrapuntal interplay between the guitars and bass. Heartless is going to be something special, y'all.” - NPR
"...more aggressive and immediate than Pallbearer's previous work. The band moves out of the shadows of mythology and toward an earth riddled with new problems, broken defenses and evaporating futures. The music follows, with hooks that seem sharper and choruses that demand more attention." - Rolling Stone
Pallbearer’s colossal third album Heartless will be released on March 24th and last night, the band unveiled the album’s opener “I Saw The End” on BBC’s Radio 1 Rock Show with Daniel P. Carter. Today, you can check out a music video for the track, which was directed by Zev Deans / Panorama Programming (Lamb of God, Chelsea Wolfe, Ghost), here on YouTube.
The band commented, "Both song and video present a telescopic view on an eternity of corruption. The path of greed leads to misery. When higher awareness allowed us to claw our way out of the mud, we found new ways to exploit one another, abusing the gift that could bring us to new heights. In the end, we pay for our selfishness. Join us for this elegy for what might have been."
“I Saw The End” is an indicator of an album grander in scope than anything Pallbearer has released prior, showcasing a natural progression that melds higher technicality and more ambitious structures with their most immediate hooks to date. On Heartless, Pallbearer offer a complex sonic architecture that weaves together the spacious exploratory elements of classic prog, the raw anthemics of 90’s alt-rock, and stretches of black-lit proto-metal. Lyrics about mortality, life, and love are set to sharp melodies and pristine three-part harmonies. Vocalist and guitarist Brett Campbell has always been a strong, assured singer, and on Heartless, his work is especially stunning. By fusing their widest musical palette to date, Pallbearer make the kind of heavy rock that will appeal to diehards, but could also find the group crossing over into newer territories and fanbases. After having helped revitalize doom metal, it almost feels like they’ve gone and set their sights on rock and roll itself. Which doesn’t seem at all impossible on the back of a record like Heartless.
See Pallbearer on tour later this month with support from Marissa Nadler and Kayo Dot (dates listed below, with an additional show announced in June with Baroness) and look for Heartless to be released March 24th from Profound Lore in North America (in Europe from Nuclear Blast Entertainment). Heartless is available for pre-order here.
PALLBEARER, ON TOUR:
March 22 Little Rock, AR @ Revolution Music Room
March 23 Nashville, TN @ The End *
March 25 Brooklyn, NY @ Music Hall of Williamsburg *
March 28 Cleveland, OH @ Grog Shop *
March 29 Grand Rapids, MI @ Pyramid Scheme *
March 31 Chicago, IL @ Thalia Hall *
June 2 Philadelphia, PA @ Union Transfer
* w/ Marissa Nadler, Kayo Dot
* w/ Baroness, Nothing
Brett Campbell - guitar, vocals
Devin Holt - guitar, vocals
Mark Lierly - drums
Joseph D. Rowland - bass, vocals
Heartless, track listing:
1. I Saw the End
3. Lie of Survival
4. Dancing in Madness
5. Cruel Road
7. A Plea for Understanding
Top photo by: Diana Lee Zadlo.
Monday, March 20, 2017
When I was a kid, growing up in a house with Cat Stevens, Neil Diamond, and Simon and Garfunkel, the first time I ever heard Kiss's "Detroit Rock City," it was a moment of musical epiphany. It was just so vicious, aggressive and mean. It changed the way I listened to music. I've had a few minor epiphany's since then, when you come across a band that just brings something new and revolutionary to your ears.
What have been your musical epiphany moments?
BF: Oh yeah, I grew up in household with soft rock radio in rural, coastal Maine. My brother and I know the lyrics to so many shitty songs. My first musical epiphany was hearing the the full version “Suzy Q” by Credence Clearwater Revival. I was a boy riding in my parents car. My Mom had it on cassette. I didn't know that songs were longer than 3 minutes. They do this long guitar solo and then jam out for another 5 minutes. I was mesmerized. I remember thinking, “I didn't know you could do that.” So that's what I do now.
Talk to us about the song-writing process for you. What comes first, the idea? A riff? The lyrics? How does it all fall into place?
BF: Generally our songs start with a riff. I spend a long time working on riffs and progressions that 1) sound cool 2) don't remind me of any guitarist or band in particular 3) I can sing and play at the same time. The next step is playing the music with the band, whether I brought in the idea or not. We all need to get behind it. We listen for space to have lyrics. Start working out changes. I then take the music home and start singing over it my car. Working on lyrics and melodies. I'd prefer to write music AFTER a song/melody. But usually it starts with a riff.
Who has influenced you the most?
BF: Oh wow. A lot of people. It has changed through the years. When I was 8, Guns 'N Roses “Appetite for Destruction” came out and I played that over and over. It was a great introduction to attitude and rock and roll. I haven't listened to them for probably 20 years, but I recently heard that album and it is still killer.
In terms of playing guitar, Josh Homme from Kyuss and QOTSA has been a huge inspiration and influence to me. Also, Brant Bjork (Kyuss, Vista Chino, solo stuff). He is an underrated guitarist and wrote some killer Kyuss riffs and songs.
Tony Iommi is a massive influence for riffs. David Gilmore for solos. I'm not a shredder. I prefer slower, psychedelic and melodic solo.
For singing, I love a lot people. Singing got me into playing guitar so I could use it as a tool for songwriting. I try to not sound like anyone, and just focus on my own voice.
Where do you look for continuing inspiration? New ideas, new motivation?
BF: Whatever is going on in my life and around me at the moment. But try I focus on frustrations, sadness, anger, and desires to give them a release so I don't carry around a lot of negativity. Music is a release. There is a lot of suffering in life. Music helps me deal with it. That way I can evolve and be a positive and good human being.
We're all a product of our environment. Tell us about the band's hometown and how that reflects in the music?
BF: The band's hometown is Albuquerque, New Mexico. We are certainly inspired by the high desert, with its great big blue sky and mountains. New Mexico has a cool laid back feel to it. We try to get in a heavy groove and pretend we are outside playing under a desert sunset. Duane Gasper our drummer, and Shawn Wright our bass player are both New Mexico natives. They really embody the spirit.
Where'd the band name come from?
BF: Band names are harder to come up with than songs. I believe it was a suggestion from an old friend and guitarist we used to jam with before this band came to fruition in its current line-up as a power trio. Shawn reminded us of the band name and it fit the best. We wanted a band name that represented the high desert environment of New Mexico.
Tell us about witchcraft, what it means to you and your life?
BF: I don't know a damn thing about witchcraft. I am, however, a spiritual non-religious person. I have spent a lot of my life exploring nature and natural environments. I believe you can benefit from some good things from getting outside and away from people. I feel its important to find a quiet space. To get away from everything. There's a lot of wisdom life and nature can teach you. There is a lot of wisdom your mind, body, and soul can teach you. It's important to open up and listen to that.
BF: I like movies that travel to beautiful landscapes. If I had the opportunity to write a soundtrack that played off a movie about a hitchhiker or a backpacker traveling through epic landscapes, I'd be down.
You now write for a music publication (The Ripple Effect?). You're going to write a 1,000 word essay on one song. Which would it be and why?
BF: “Space Cadet” by Kyuss. When I first heard that song, it blew my fucking mind. I had always wanted to listen to something like that, but I had no idea where to find it. I remember listening to it while on the bus in Seattle. When that song came on, I got off the bus and just stood on the street. I couldn't move. I just stood there, and thought, “holy shit, this is fucking incredible.”
What is you musical intention? What are you trying to express or get your audience to feel?
BF: I want people to feel......... SOMETHING. I intend for it to be a positive, powerful something. And I want them to listen to the songs as a whole. Not just a beat to dance to or some entertainer to watch. For me, that's not what turned me on to music. It was killer songs and albums. I think in the underground rock community, the focus is on a quality product.
The most important message I'm trying to send out is to be a cognitive human being. Live life with an open mind, question any bullshit, be a great and wonderful human being. And rock the fuck out.
Come on, share with us a couple of your great, Spinal Tap, rock and roll moments?
BF: I played an open mic at Pappy and Harriet's in Joshua Tree, CA. Which was super rad to play there even though it was an open mic. Maybe one day we'll play a show there....! But around 7pm, the local crowd all sits down and has dinner. I decided to try out some new material. I get up on stage and say, “You guys ready to fucking rock?!” And start playing real loud and I look up and the entire bar is having dinner and chewing food. And I was playing some aggressive music. It totally didn't fit. I felt that I was yelling directly at them while they were eating dinner. I finish the first song and no one makes any noise. No one claps. They just sit there eating. And I think, “Oh fuck, this is so awkward, I'm playing to an entire dinner crowd.” I think I played a few mellow songs on an acoustic and then got the hell off stage. Embarrasing.
Tell us about playing live and the live experience for you and for your fans?
BF: I love playing live. We focus on making sure the overall tone and sound for playing live is really unique and balanced. We take pride in having great tone. We play very loud. We want the instruments to really stand out, but sound great as a whole. We have been getting excellent feedback from our fans and from people who have just seen us for the first time. It feels great to hear people tell us we have great tone. Also, it is very humbling to play live. At least it is for me. I feel very humbled and grateful to play music live. It is communication and expression on a different level.
What makes a great song?
BF: A great song, you feel it in your soul. It just completely speaks to you and envelops you.
Tell us about the first song you ever wrote?
BF: I think it would be a song called “Gold Rush” It's basically a country song on acoustic. Hillbilly jam. For me it is some form of rock and roll. I've never recorded it, maybe I should.
What piece of your music are particularly proud of?
BF: Well, we finished recording our EP for Ripple Music. It will come out on the Second Coming of Heavy vinyl compilation. We are very excited about the songs on the EP. It's gonna kick ass. Due out December 2016. Get yourself a copy!
Who today, writes great songs? Who just kicks your ass? Why?
BF: The album that kicked my ass in 2015 was Wino and Conny Ochs acoustic album “Freedom Conspiracy.” It has incredible songs, beautiful melodies and hooks. Is very sad, yet gorgeous. It really hit me in my heart and my soul.
Vinyl, CD, or digital? What's your format of choice?
BF: For convenience, its digital. For sound quality its, CD and vinyl. And for the experience, definitely vinyl. Nothing like dropping the needle down.
Whiskey or beer? And defend your choice
BF: Whiskey, hands down. I fucking love whiskey. Beer is fine, but its heavy and makes you slow. You gotta consume a lot of volume to achieve the type of buzz I like. I'm not a heavy drinker. But I drink daily. When I'm relaxing, its beer. When it's time to perform, or go out for the night, it's whiskey. It gets me fired up.
We, at the Ripple Effect, are constantly looking for new music. What's your home town, and when we get there, what's the best record store to lose ourselves in?
BF: Charlies 33's and CD's is really the only record store left in Albuquerque. Cool old school record store. Vintage and new vinyl.
What's next for the band?
BF: Our EP on the Second Coming of Heavy compilation will come out in 2016 on Ripple Music. Be sure to grab a copy! I believe we are on Volume 4. In the meantime, we are slowly working on new music for a second full-length album.
Any final comments or thoughts you'd like to share with our readers, the waveriders?
BF: We truly appreciate everyone who seeks out and supports underground music. There is so much incredible music being made these days, especially in heavy rock/metal. And it's not easy to find. We are being spoon-fed so much crap these days. It's impossible to hear great music on the radio or on TV or on any popular, multi-mass media. You gotta work for today. It's sad. But there is a movement of people around the world that know good music is out there and they are finding it. So, thank you.